Giovana GelhorenUpdated on: October 7, 2024 8:19 pm GMT
Call Me Bae,” Ananya Panday’s debut series, garners mixed reviews, oscillating between admiration for its vibrant aesthetics and criticism for its flawed narrative. The show, akin to “Emily in Paris” with a touch of Bollywood’s exuberance, is a colorful and fantastical portrayal of the journey of Bella “Bae” Chowdhury, a socialite who relocates to Mumbai following a scandal in Delhi. The series is light-hearted, aimed primarily at a younger demographic, with idyllic themes of friendship, self-discovery, and the struggles of making one’s mark in a fast-paced city.
Panday’s character, Bae, navigates a seemingly charmed life filled with supportive friendships and romantic interests, yet the plot attempts to tackle serious subjects—such as the challenges of loneliness and responsible journalism—in an almost superficial manner. Critics point out that the direction could benefit from a more cohesive approach, as the storyline meanders through various issues without any significant depth.
While some performances shine — particularly Muskkaan Jaferi as Bae’s friend and Vir Das in a more morally ambiguous role — the overall execution lacks the necessary grit to elevate the story. The dialogue, at times witty, achieves a balance between Bae’s privileged lifestyle and her newfound realities, providing moments of levity amidst the series’ flaws.
Visually, the series is a feast, with costumes and set designs that evoke “Emily in Paris” vibes. However, the narrative is marred by its fantastical elements that might alienate older viewers who seek realism in storytelling.
“Call Me Bae” is a fun show for anyone wanting to enjoy a light and easy story. However, it might not be enough if you’re looking for something deeper or more meaningful. With a rating of 2.5 out of 5, it’s best to watch when you just want to relax and have some simple entertainment, rather than dive into the complicated parts of life.
